Med Chair

With its curves and contrasting linearity, the Med chair by Lodovico Acerbis and Giotto Stoppino is defined by distinctive details, such as the unique leg profile, reminiscent of the iconic Flatiron Building in Manhattan, New York, and the cross-pieces connecting the legs, whose repetition creates a striking graphic rhythm. Designed to pair effortlessly with any type of table, Med is available in dark-stained walnut, black-stained ash or bleached ash, or in solid wood with a matt lacquer finish, offered in green and orange. The generous padding enhances its comfort and emphasizes its sophisticated, assertive presence.

Chair available with structure in different variants: from wood to lacquered. An extremely versatile seat in terms of type, proportions and materials. A gently shaped chair that evokes the essential lines of the classic wooden chair.

Born in Vigevano in 1926, Giotto Stoppino studied Architecture at Milan and Venice. Since 1953 he has devoted himself almost entirely to architecture, founding together with Gregotti and Meneghetti one of the most culturally committed architects’ offices. Since 1968, with his own independent studio, he has dedicated himself to design. He was president of ADI for the three-year period 1982-1985 and president of the Compasso d’Oro award in 1984. His works are in the Museum of Modern Art in New York, in the Victoria and Albert Museum in London, in the Museum für angewandte Kunst in Munich, in the Museum of Contemporary Art, Chicago and the City-Hall in Shanghai.

Lodovico Acerbis was born in Albino, Bergamo in 1939 and graduated in Economics and Business in Milan. In 1963 he joined his father’s company with the aim of creating design furniture by applying the most advanced technologies and the best materials. Founded in 1870, as a carpentry workshop, the company under his direction reached industrial dimensions and established itself as a leading company in the sector. Lodovico Acerbis combined his work as an industrialist with that of a designer, producing some of the most significant creations of Italian production, often signed together with Giotto Stoppino, with whom he created a fervent creative partnership.